My work approaches the body as a space of pain, resistance, and transformation. Whether filming the exhausted bodies of protesters intertwined with dance, or photographing the vacant stillness of Egyptians who understood the revolution had been lost, I explore how the individual body becomes a vessel for a collective one—fragile, exposed, yet politically charged.
My own experience of chronic pain runs through this practice, shaping a sensitivity to micro-gestures, tensions, and subtle movements that carry what words cannot hold.
The skin—central in my doctoral research—binds these layers together: a boundary, a porous surface, a membrane where forms circulate. It becomes a conceptual hinge linking artworks, bodies, and the histories that imprint themselves onto them.
